TODAY IN NUMBERS
PIRACY · SATIRE · LONGITUDINAL SAMPLE OF ONE

Take-Two's Chief Calls Piracy a Fact of Life and Dates Each Industry's Rate to the Years He Spent Working in It

Strauss Zelnick told WSJ Tech that film piracy ran at 10 to 20 per cent, and that by the mid-2000s he would argue 80 per cent of the record market was pirated. He has been in every entertainment business there is.

Strauss Zelnick, the chief executive of Take-Two Interactive, has said he expects Grand Theft Auto VI to be pirated, and does not regard that as grounds for alarm.

Asked about it during a sit-down at WSJ Tech, Zelnick began with the general case. "Piracy is a fact of life," he said.

Take-Two owns Rockstar Games, the studio behind the series. Grand Theft Auto VI arrives later this month on PlayStation 5 and Xbox Series X.

Zelnick's answer drew on a long career across media. "I've been in every entertainment business there is, and when I was in the movie business we figured 10-20% at any given time," he said.

He then turned to music. "In the record business, because I was in the record business from 1994 to 2000 by the mid 2000s I would argue that 80% of the market was pirated, now that's way back down again," he said.

His case for calm about games is practical rather than legal. Modern releases are enormous, awkward to get running and often dependent on servers, which he suggested mitigates the problem without anybody having to do very much.

He was careful not to dismiss it. "It's not been a non-issue," he said, adding: "And in the event that it turns into an issue we address it the same way every other business does, which is with legal work, and then with technical work, and we'll have to do both."

The figures deserve a closer look, because of where they come from. Film piracy: 10 to 20 per cent. Recorded music: 80 per cent by the mid-2000s, and well down since. Both rates are dated by the same instrument, which is Mr Zelnick's curriculum vitae.

This newspaper regards the dataset as unusually complete. He has been in every entertainment business there is, which gives the study total coverage of its population and removes the need for any sampling at all.

It is also admirably longitudinal. The music figure is given for 1994 to 2000, when he was in the industry, and again for the mid-2000s, when he was not. Few long-run series are divided so cleanly.

Our analysts note the obvious weakness, which is the sample size. The sample size is one executive. Set against this, the one executive has been everywhere, which in most research designs is counted as a strength.

The forward-looking reading is therefore straightforward. Games are the industry he is in now, and games are the industry in which the problem is described as mitigating itself.

The Department of Unnecessary Research has asked for the one remaining figure. If the rate in each business is best observed in the years after he leaves it, the number that matters for Grand Theft Auto VI is not a piracy rate at all.

It is his retirement date.

RATES AS DESCRIBED AT WSJ TECHQUESTIONABLE ANALYTICS
10Film piracy, low end
20Film piracy, high end
80Record market, mid-2000s
Percentages exactly as Zelnick described them in the interview: his recollection of film piracy rates and his estimate of the share of the record market pirated by the mid-2000s. They are recollections, not measurements.
THE BORING FACT

Strauss Zelnick, chief executive of Take-Two Interactive, which owns Rockstar Games, said during a sit-down at WSJ Tech that "Piracy is a fact of life" ahead of the release of Grand Theft Auto VI. He cited film piracy of 10 to 20 per cent and said that by the mid-2000s he would argue 80 per cent of the record market was pirated.

Source: GamesRadar+
OUR PROFESSIONAL CONCLUSION

Because the only piracy rates offered are the ones Zelnick remembers from the industries he has worked in, his career becomes the dataset, and the figure that matters for Grand Theft Auto VI is the date he stops being in games.

REALITY CHECK · LONGITUDINAL SAMPLE OF ONE

Unfortunately, there's a small problem.

These were an executive's recollections and estimates in an interview, not measurements, and one person's career is not a time series. Reading a coincidence of dates as though the observer set the rate is a spurious correlation dressed up as research design.

THE BS DETECTOR

Where did reality end?

Tap the paragraph where this story stopped being true. Then see where everyone else bailed.

 

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